Comparing the Devil in Farewell to Arms and The Outsider (The Stranger) :: comparison compare contrast essays

The Devil in Farewell to Arms and The Outsider  Once we knew that literature was round life and criticism was closely fiction--and everything was simple. instanter we endure that fiction is about other fiction, is criticism in fact, or metaphor. And we know that criticism is about the impossibility of anything being about life, really, or purge about fiction, or finally about anything. Criticism has taken the very idea of aboutness away from us. It has taught us that language is tautological, if it is not nonsense, and to the extent that it is about anything it is about itself. iodine of the fascinations of reading literature comes when we discover in a work samples that have heretofore been overlooked. We are the pattern finders who get deep enjoyment from the discovery of patterns in a text. And true to the calling we have noticed a pattern in and around A Farewell to Arms which, to our knowledge, no mavin has seen before. Although in that respect are many editions of the novel, and as a result the pagination is slightly different in various editions, it is the case that all editions have cardinal chapters to be found in five books. Here is what we have discovered if you multiply 41 by 5 you get 205. And now if you take the estimate of earn in Frederics name (8) and add that to the issuance of letter in Catherines name (9) you get 17. 205 + 17 = 222. And if you grant that the time of the events in the novel, counted properly, is three years, thusly the pattern we have discovered starts to emerge as figure on ground or as lemon juice ink on a hidden message when held over a candle. For what is the product of 222 and 3 but the infamous 666 of Revelations 1318? Imagine now our delight when we discovered a similar 666 pattern in The Outsider. If you multiply the number of letters in Meursaults name times the number of letters in Albert times the number of letters in Arab you get 216. Add to that the 6 of Albert and multiply by 3 (which is the number one gets when dividing the number of chapters in Part one (6) by the number of books (2) that fudge up The Outsider) and surprise of surprises the meaning revealing number 666 once again emerges Comparing the Devil in Farewell to Arms and The Outsider (The Stranger) proportion compare contrast essays The Devil in Farewell to Arms and The Outsider  Once we knew that literature was about life and criticism was about fiction--and everything was simple. Now we know that fiction is about other fiction, is criticism in fact, or metaphor. And we know that criticism is about the impossibility of anything being about life, really, or even about fiction, or finally about anything. Criticism has taken the very idea of aboutness away from us. It has taught us that language is tautological, if it is not nonsense, and to the extent that it is about anything it is about itself. One of the fascinations of reading literature comes when we discover in a work patterns that have heretofore been overlooked. We are the pattern finders who get deep enjoyment from the discovery of patterns in a text. And true to the calling we have noticed a pattern in and around A Farewell to Arms which, to our knowledge, no one has seen before. Although there are many editions of the novel, and as a result the pagination is slightly different in various editions, it is the case that all editions have forty-one chapters to be found in five books. Here is what we have discovered if you multiply 41 by 5 you get 205. And now if you take the number of letters in Frederics name (8) and add that to the number of letters in Catherines name (9) you get 17. 205 + 17 = 222. And if you grant that the time of the events in the novel, counted properly, is three years, then the pattern we have discovered starts to emerge as figure on ground or as lemon juice ink on a secret message when held over a candle. For what is the product of 222 and 3 but the infamous 666 of Revelations 1318? Imagi ne now our delight when we discovered a similar 666 pattern in The Outsider. If you multiply the number of letters in Meursaults name times the number of letters in Albert times the number of letters in Arab you get 216. Add to that the 6 of Albert and multiply by 3 (which is the number one gets when dividing the number of chapters in Part one (6) by the number of books (2) that make up The Outsider) and surprise of surprises the meaning revealing number 666 once again emerges